Philosophy of cinema. Thinking by other means [Spanish]

Authors

Keywords:

Cinema, philosophy, technology, art, thinking.

Abstract

In this article I schematically present the guidelines of a philosophy of cinema in general and develop a particular philosophical perspective which emphasizes the potential of cinema for thinking. I approach the issue of cinema via the by now classic distinction between the cinematographic phenomenon and the filmic fact, in order to develop subsequently the answers to the questions about the what, the how and the with what of the latter. In this way I present a brief account of the institutional framework and the practices involved in cinema as a phenomenon determined by technology, while I develop the main subjects linked with thinking in cinema according to its own features as media and art.


Author Biography

  • Raúl Omar Cadús, National University of Comahue

    Doctor en Filosofía por la Universidad Nacional de Córdoba (Argentina) y se desempeña como docente e investigador en la Universidad Nacional del Comahue, donde es profesor adjunto por concurso y director del proyecto de investigación “Poéticas y políticas de la experiencia. Derivas de la subjetividad en el mundo contemporáneo”. Actualmente trabaja en dos líneas de investigación que se articulan: 1) formas de la experiencia y formación de subjetividades en el mundo contemporáneo; 2) las potencialidades epistémicas y expresivas del discurso audiovisual en relación con el pensamiento filosófico.

Published

2020-02-03

Issue

Section

Articles