Philosophy of cinema. Thinking by other means [Spanish]
Keywords:
Cinema, philosophy, technology, art, thinking.Abstract
In this article I schematically present the guidelines of a philosophy of cinema in general and develop a particular philosophical perspective which emphasizes the potential of cinema for thinking. I approach the issue of cinema via the by now classic distinction between the cinematographic phenomenon and the filmic fact, in order to develop subsequently the answers to the questions about the what, the how and the with what of the latter. In this way I present a brief account of the institutional framework and the practices involved in cinema as a phenomenon determined by technology, while I develop the main subjects linked with thinking in cinema according to its own features as media and art.
References
<p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Ayala, F. (1958). El jefe. Argentina: Aries Cinematográfica Argentina.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Ayala, F. (1963). Paula Cautiva. Argentina: Aries Cinematográfica </span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Argentina.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Birri, F. (1960). Tire Dié. Argentina: Instituto de Cinematografía Universidad </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Nacional del Litoral.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Campanella, J. (2009). El secreto de sus ojos. Argentina: Haddock films /</span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Tornasol filmes / TVE / Telefé.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">De Zavalía, A. (1942). Malambo. Argentina: Establecimientos Filmadores </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Argentinos.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Del Carril, H. (1952). Las aguas bajan turbias. Argentina: Black & White </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">/ DCB.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Demare, L. (1942). La guerra gaucha. Argentina: Artistas Argentinos </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Asociados.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Favio, L. (1965). Crónica de un niño solo. Argentina: Real films.</span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Favio, L. (1973). Juan Moreira. Argentina: Centauro films.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">García Velloso, E. (1914). Amalia. Argentina: Casa Lepage – Max </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Glücksmann.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Ipiña, L. (2010). Revolución: El cruce de los Andes. Argentina: TV pública.</span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;"><br /></span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Khun, T. (1964). Pajarito Gómez. Argentina: Black & White.</span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;"><br /></span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Martel, L. (2001). La ciénaga. Argentina: Cuatro cabezas / TS productions </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">/ 4 K films / Wanda visión.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Martel, L. (2004). La niña santa. Argentina: Lita Stantic producciones</span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">/El Deseo S.A.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Martínez Suárez, J. (1962). Dar la cara. Argentina: Productora América </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Nuestra.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Olivera, E. (1974). La Patagonia rebelde. Argentina: Aries Cinematográfica </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Argentina.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Pappier, R. (1963). Donde el viento brama. Argentina: Lumiton.</span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;"><br /></span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Solanas, F. y Getino, O. (1968). La hora de los hornos. Argentina: Grupo </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Cine liberación / Solanas Productions.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Torre Nilsson, L. (1957). La casa del ángel. Argentina: Argentina Sono </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Films / Mairon Pictures.</span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-size: 12.6667px; font-family: CalistoMT, serif;"><br /></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Valle, O. (1921). La pampa. Argentina: Cinematográfica Valle.</span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;"><br /></span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Valle, O. (1923). En pos de la tierra. Argentina: Cinematográfica Valle.</span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"> </p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;"><br /></span></span></p><p class="MsoNormal" style="margin-bottom: .0001pt; line-height: normal; mso-layout-grid-align: none; text-autospace: none;"><span style="font-family: CalistoMT, serif;"><span style="font-size: 12.6667px;">Valle, O. (1928). La obra del Gobierno radical. Argentina: Cinematográfica </span></span><span style="font-size: 12.6667px; font-family: CalistoMT, serif;">Valle.</span></p><p> </p>
Downloads
Published
2020-02-03
Issue
Section
Articles
License
Copyright (c) 2020 Eidos
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:1. The Author retains copyright in the Work, where the term "Work" shall include all digital objects that may result in subsequent electronic publication or distribution.
2. Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.
The Author shall grant to the Publisher a nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons 3.0 License Attribution-NonCommercial 3.0 Unported CC BY-NC 3.0, or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions: (a) Attribution: Other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;(b) Noncommercial: Other users (including Publisher) may not use this Work for commercial purposes;
4. The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.
5. Authors are permitted, and Eidos promotes, to post online the preprint manuscript of the Work in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access). Any such posting made before acceptance and publication of the Work is expected be updated upon publication to include a reference to the Eidos's assigned URL to the Article and its final published version in Eidos.
