Grammars of Listening as Decolonial Grammars: Notes Towards a Decolonization of Memory [Spanish]
Abstract
This paper engages in a self-critical reflection on the limits and decolonial potential of the project advanced by the author, entitled ‘grammars of listening’. In the first part, the author explores the theoretical context that frames said project, namely, the analysis of the epistemological and ethical challenges that result from the task of listening to testimonies when working on historical memory. This involves a philosophical inquiry into the concept of traumatic violence as a “colonizing” form of violence. The second part of the paper examines the extent to which the project on grammars of listening holds under the scope of a decolonial look, and proposes two possible strategies for a “decolonization of listening,” namely, the invention of history and the resistance of memory.
References
<p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Acosta López, M. R. (2017). </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US;" lang="ES">Hacia una gramática del silencio: Benjamin y Felman. En C. De Gamboa y M. V. Uribe (Eds.), <em style="mso-bidi-font-style: normal;">Los silencios de la guerra</em> (pp. 85-116). Bogotá, D.C.: Universidad del Rosario. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Acosta López, M. R. (2019a). Gramáticas de la escucha: </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-TRAD; mso-bidi-font-style: italic;" lang="ES-TRAD">aproximaciones filosóficas a la construcción de memoria histórica. </span><em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES;" lang="ES">Ideas y Valores</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">, </span><em style="mso-bidi-font-style: normal;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US;" lang="ES">LXVIII</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="ES"> (suplemento n.° 5), 59-79. </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">doi: </span><span lang="EN-US"><a href="https://doi.org/10.15446/ideasyvalores.v68n5Supl.80519"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="ES">10.15446/ideasyvalores.v68n5Supl.80519</span></a></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="ES">Acosta López, M. R. (2019b). </span><span style="font-family: "Arial",sans-serif; mso-bidi-language: EN-US;" lang="EN-US">One Hundred Years of Forgotteness: Aesth-Ethics of Memory in Latin America.<span style="mso-bidi-font-style: italic;"> </span></span><em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-CO; mso-bidi-language: EN-US;">Philosophical Readings,</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-CO; mso-bidi-language: EN-US; mso-bidi-font-style: italic;"> </span><em style="mso-bidi-font-style: normal;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US;" lang="ES">XI</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="ES">(3), 163-171. doi: 10.5281/zenodo.3560357 [Traducido al español por Víctor Ibarra y publicado como Acosta López, M. R. (2019). Tras cien años de olvido: la literatura y el arte como resistencia a las borraduras de la historia. En I. Ferber, A. Messina y A., Potestá (Eds.), <em>Escribir la violencia: hacia una gramática del grito</em> (pp. 57-78). </span><span style="font-family: "Arial",sans-serif; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="EN-US">Santiago: Metales Pesados]. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="EN-US">Acosta López, M. R. (2019c). From Critique of the Postcolony to a Postcolonial Form of Critique. On the Uses and the Misuses of Foucault in Jean and John Comaroff’s Work. </span><em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US;" lang="ES">Revista de Estudios Sociales,</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="ES"> <em>67</em>, 17-25. </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">doi:</span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="ES"> </span><span lang="EN-US"><a href="https://doi.org/10.7440/res67.2019.02"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="ES">10.7440/res67.2019.02</span></a></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Acosta López, M. R. (2020). Perder la voz propia: de una fenomenología feminista de la voz a una fenomenología decolonial de la escucha. En L. Cadahia y A. Carrasco Conde (Eds.), <em>Fuera de sí mismas. Motivos para dislocarse</em> (pp. 121-156). Madrid: Herder. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Acosta López, M. R. (2021a, en prensa). </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-TRAD; mso-bidi-font-style: italic;" lang="ES-TRAD">Gramáticas de la escucha, gramáticas de la interpelación: hacia un abordaje filosófico del trauma y de la memoria en conversación con el trabajo de Cathy Caruth. En R. Martínez (Ed.), <em>Deconstrucción y psicoanálisis: ensayos sobre lo psicopolítico</em>. </span><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">México: UNAM. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Acosta López, M. R. (2021b, en prensa). </span><span style="font-family: "Arial",sans-serif; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="EN-US">Arendt on Totalitarianism as Structural Violence: Towards New Grammars of Listening. En A. O’Byrne & M. Shuster (Eds.), <em>Logics of Genocide: The Structures of Violence and the Contemporary World </em>(pp. 173-186)<em>. </em>New York: Routledge<em>.</em></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-language: EN-US; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="text-align: justify; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;" lang="EN-US">Arendt, </span><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">H. (1967). <em>The Origins of Totalitarianism</em>. New York: Harcourt. </span></p> <p class="MsoNormal" style="text-align: justify; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Bargu, B. (2014). Sovereignty as Erasure. Rethinking Enforced Disappearances. <em>Qui Parle: Critical Humanities and Social Sciences, </em></span><em style="mso-bidi-font-style: normal;"><span style="font-family: "Arial",sans-serif;" lang="EN-US">23</span></em><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">(1), 35-75. doi: </span><span lang="EN-US"><a href="https://doi.org/10.5250/quiparle.23.1.0035"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;">10.5250/quiparle.23.1.0035</span></a></span><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Butler, J. (2009). <em>Frames of War: When Is Life Grievable? </em>New York: Verso. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Butler, J. (2020). <em>The Force of Non-Violence: An Ethico-Political Bind</em>. New York: Verso. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Caruth, C. (1996). <em>Unclaimed Experience: Trauma, Narrative and History</em>. Baltimore: John Hopkins University Press. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Caruth, C. (2013). <em>Literature in the Ashes of History</em>. Baltimore: John Hopkins University Press. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Caruth, C. (2014). <em>Listening to Trauma</em>. <em>Conversations with Leaders in the Theory and Treatment of Catastrophic Experience</em>. Baltimore: John Hopkins University Press. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Caruth, C. (2016). <em>Unclaimed Experience: Trauma, Narrative and History </em>(20<sup>th </sup>Anniversary Edition). Baltimore: John Hopkins University Press. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Dotson, K. (2011). Tracking Epistemic Violence, Tracking Practices of Silencing. </span><em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES;" lang="ES">Hypatia,</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span><em style="mso-bidi-font-style: normal;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES;" lang="ES">26</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">(2), 236-257. doi: </span><span lang="EN-US"><a href="https://doi.org/10.1111/j.1527-2001.2011.01177.x"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;" lang="ES">10.1111/j.1527-2001.2011.01177.x</span></a></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Drake, J., Johnson, D. & Caswell, M. (27 de febrero de 2017). </span><span lang="EN-US"><a href="https://scholar.harvard.edu/drake/publications/cape-town-chicago-colombo-and-back-again-towards-liberation-theology-memory-work"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;">From Cape Town to Chicago to Colombo and Back Again: Towards a Liberation Theology for Memory Work</span></a></span><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">. </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Recuperado de:<em> </em><span style="mso-spacerun: yes;"> </span>https://www.nelsonmandela.org/news/entry/reflections-from-the-2016-mandela-dialogues</span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Fanon, F. (2009). <em>Piel negra, máscaras blancas.</em> A. Useros Martín (trad.). Madrid: Akal. </span><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">(Obra original publicada en 1952).</span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Felman, S. (2002). <em>The Juridical Unconscious. Trials and Traumas in the Twentieth Century</em>. </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Cambridge: Harvard University Press. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;" lang="ES">Freud, </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-TRAD; mso-bidi-font-style: italic;" lang="ES-TRAD">S. (1976). Más allá del principio del placer. En</span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-CO; mso-bidi-font-style: italic;" lang="ES-TRAD"> </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-CO; mso-bidi-font-style: italic;">J. L. Etcheverry (trad.).</span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-TRAD; mso-bidi-font-style: italic;"> <em><span lang="ES-TRAD">Obras completas </span></em><span lang="ES-TRAD">(pp. </span></span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-CO; mso-bidi-font-style: italic;">7-62).</span><em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-TRAD;"> </span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-CO; mso-bidi-font-style: italic;">Buenos Aires: Amorrortu. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-CO; mso-bidi-font-style: italic;"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-CO; mso-bidi-font-style: italic;">García Márquez, G. (1982). </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-TRAD; mso-bidi-font-style: italic;" lang="ES-TRAD">La soledad de América Latina. </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-CL;" lang="ES-CL">Discurso de aceptación del Premio Nobel<em>. </em><span style="mso-bidi-font-style: italic;">Recuperado de:</span></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-CL; mso-bidi-font-style: italic;" lang="ES-CL"><span style="mso-tab-count: 1;"> </span><span style="mso-spacerun: yes;"> </span></span><span lang="EN-US"><a href="https://cvc.cervantes.es/actcult/garcia_marquez/audios/gm_nobel.htm"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">https://cvc.cervantes.es/actcult/garcia_marquez/audios/gm_nobel.htm</span></a></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Glissant, E. (1964). <em>Le quatrième siècle</em>. Paris: Seuil. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Gualdrón, M. (2019). Transversality as Disruption and Connection: On the Possibilities and Limits of Using the Framework of Trauma in Glissant’s Philosophy of Caribbean History. <em>Philosophical Readings,</em> </span><em style="mso-bidi-font-style: normal;"><span style="font-family: "Arial",sans-serif;" lang="EN-US">XI</span></em><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">(3), 152-162. doi: 10.5281/zenodo.3560352 </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Hartman, S.<span style="mso-spacerun: yes;"> </span>(2007). <em>Lose Your Mother: A Journey Along the Atlantic Slave Route</em>. New York: Farrar, Straus and Giroux.</span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Karera, A. (en prensa). Frantz Fanon and the Future of Critical Phenomenology in an Anti-Black World. <em>Critical Philosophy of Race</em>, suplemento especial “On Blackness and Ontology”, David Marriott (Ed.). <span style="mso-spacerun: yes;"> </span></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Lugones, M. (2007). Heterosexualism and the Colonial / Modern Gender System. <em>Hypatia,</em> </span><em style="mso-bidi-font-style: normal;"><span style="font-family: "Arial",sans-serif;" lang="EN-US">22</span></em><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">(1), 186-209. Doi:</span><span lang="EN-US"><a href="https://doi.org/10.1111/j.1527-2001.2007.tb01156.x"><span style="font-family: "Arial",sans-serif; mso-bidi-font-weight: bold; mso-bidi-font-style: italic;"> 10.1111/j.1527-2001.2007.tb01156.x</span></a></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Mignolo, W. (2007). Delinking. The Rhetoric of Modernity, the Logic of Coloniality and the Grammar of De-coloniality. </span><em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES;" lang="ES">Cultural Studies,</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span><em style="mso-bidi-font-style: normal;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES;" lang="ES">21</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">(2-3), 449-514. doi: </span><span lang="EN-US"><a href="https://doi.org/10.1080/09502380601162647"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">10.1080/09502380601162647</span></a></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Pare, G. (2019). Comentarios a Acosta, M. R. Tras los rastros de Macondo: archivo, memoria e historia en <em>Musa paradisiaca</em> de José Alejandro Restrepo. <em>Ideas y Valores</em>, </span><em style="mso-bidi-font-style: normal;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES;" lang="ES">68</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">, 233-235. doi: </span><span lang="EN-US"><a href="https://doi.org/10.15446/ideasyvalores.v68n5Supl.81467"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">10.15446/ideasyvalores.v68n5Supl.81467</span></a></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Quijano, A. (2014). Colonialidad del poder, eurocentrismo y América Latina. En <em>Cuestiones y horizontes: de la dependencia histórico-estructural a la colonialidad/descolonialidad del poder </em></span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES;" lang="ES">(pp. 777 - 832).<em> </em><span style="mso-bidi-font-style: italic;"><span style="mso-spacerun: yes;"> </span>Buenos Aires: CLACSO. </span></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Richard, N. (2007). <em>Fracturas de la memoria. </em></span><em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-TRAD;" lang="ES-TRAD">Arte y pensamiento crítico. </span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-TRAD; mso-bidi-font-style: italic;" lang="ES-TRAD">Buenos Aires: Siglo XXI.<span style="mso-spacerun: yes;"> </span></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Rottenberg, E. (2014). Freud’s Other Legacy. <em>Parrhesia,</em> </span><em style="mso-bidi-font-style: normal;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES;" lang="ES">21</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">, 13-22. Recuperado de: http://parrhesiajournal.org/parrhesia21/parrhesia21_rottenberg.pdf</span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Vallega, A. (2011). Displacements—Beyond the Coloniality of Images. <em>Research in Phenomenology, 41</em>, 206–227. doi: 10.1163/156916411X580959 </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><em><span style="font-family: "Arial",sans-serif;" lang="EN-US"> </span></em></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-bidi-font-style: italic;" lang="EN-US">Vallega, A. (2014). <em>Latin American Philosophy from Identity to Radical Exteriority. </em></span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Bloomington: Indiana University Press. </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Zambrana, R. (2018). </span><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES;" lang="ES">Pasarse Políticamente: Interrupting<span style="mso-bidi-font-style: italic;"> Neoliberal Temporality. <em>Diacritics, </em></span><em style="mso-bidi-font-style: normal;">46</em><span style="mso-bidi-font-style: italic;">(2), 98-116. doi: </span></span><span lang="EN-US"><a href="https://doi.org/10.1353/dia.2018.0011"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">10.1353/dia.2018.0011</span></a></span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES"> </span></p> <p class="MsoNormal" style="margin-left: 36.0pt; text-align: justify; text-indent: -36.0pt; line-height: 200%;"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES; mso-bidi-font-style: italic;" lang="ES">Zambrana, R. (5 de julio de 2019). Vida póstuma. </span><em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-TRAD;" lang="ES-TRAD">80 grados.</span></em><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES-TRAD; mso-bidi-font-style: italic;" lang="ES-TRAD"> Recuperado de: </span><span lang="EN-US"><a href="https://www.80grados.net/vida-postuma/"><span style="font-family: "Arial",sans-serif; mso-ansi-language: ES;" lang="ES">https://www.80grados.net/vida-postuma/</span></a></span></p>
Published
2020-10-08
Issue
Section
Articles
License
Copyright (c) 2022 Eidos
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish with this journal agree to the following terms:1. The Author retains copyright in the Work, where the term "Work" shall include all digital objects that may result in subsequent electronic publication or distribution.
2. Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.
The Author shall grant to the Publisher a nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons 3.0 License Attribution-NonCommercial 3.0 Unported CC BY-NC 3.0, or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions: (a) Attribution: Other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;(b) Noncommercial: Other users (including Publisher) may not use this Work for commercial purposes;
4. The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal.
5. Authors are permitted, and Eidos promotes, to post online the preprint manuscript of the Work in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access). Any such posting made before acceptance and publication of the Work is expected be updated upon publication to include a reference to the Eidos's assigned URL to the Article and its final published version in Eidos.
