Conceptual Resonances and Figures from the Orient in A Thousand Plateaus: from the Tao and Go to the Body without Organs and the War Machine [Spanish]

Authors

  • Matías Soich Universidad de Buenos Aires. Consejo Nacional de Investigaciones Científicas y Técnicas.

Keywords:

Deleuze, Guattari, Orient, Tao, body without organs, war machine, immanence

Abstract

The starting point for this work is a general aim: to explore the conceptual resonances between Deleuze and Guattari’s philosophy and oriental thought. This paper develops two series of figures from the Orient that appear in A Thousand Plateaus and brings out their connection with various deleuzian-guattarian themes. The first series comprises several games and martial arts used by the authors as examples of the concepts “smooth space” and “war machine”; the second comprises Taoist sexual practices as one case, among others, of the circulation of desire in a body without organs. The emphasis is laid on clarifying the role these figures from the Orient play in A Thousand Plateaus, as well as on exposing some sources the authors usually leave in the dark. Finally, I hint the background (point of resonance) against which oriental thought and Deleuze and Guattari’s philosophy weave their “disturbing affinities”.

 

Author Biography

Matías Soich, Universidad de Buenos Aires. Consejo Nacional de Investigaciones Científicas y Técnicas.

Licenciado en Filosofía por la Universidad de Buenos Aires. Doctorando por la Universidad de Buenos Aires (área: Lingüística). Becario doctoral del Consejo Nacional de Investigaciones Científicas y Técnicas, Argentina.

Published

2014-12-14

Issue

Section

Articles