Performance como historia: Las negritas Puloy en el Carnaval de Barranquilla

Autores/as

  • Mónica Margarita Gontovnik Hobrecht Universidad del Norte

DOI:

https://doi.org/10.14482/memor.32.10331

Palabras clave:

Carnaval de Barranquilla, comparsa, disfraz, performance, performativo, historia, género, negritud, estereotipos, negrita, Puloy.

Resumen

Este ensayo recorre los orígenes y transformaciones del disfraz/comparsa llamado Las negritas Puloy. Durante los últimos sesenta años, su performance a través del baile y el disfraz, durante el Carnaval de Barranquilla, las ha posicionado como un emblema de la fiesta misma. Las transformaciones anuales a las cuales han sometido sus presentaciones durante los carnavales, muestran una compleja historia performativa que habla de la identidad de la ciudad de Barranquilla, Colombia. En las Negritas Puloy aún se refleja la ideología fundante de una nación a través de una narrativa tri-étnica que aún no puede reconocer el estado de desigualdad de su propia población afro-descendiente.

Descargas

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Biografía del autor/a

Mónica Margarita Gontovnik Hobrecht, Universidad del Norte

Poeta, bailarina, coreógrafa, directora escénica, performer y filósofa. Desde el 2004 es docente del departamento de Humanidades y Filosofía en la Universidad del Norte. En 1978 creó el Laboratorio de la Danza,
su estudio de experimentación con el movimiento que fue la sede de Koré Danza Teatro, primer grupo de Danza Teatro fundado en Colombia en 1982. Gontovnik dirigió y actuó durante más de quince años en búsqueda de un nuevo lenguaje escénico con este grupo, con el cual viajó nacional e internacionalmente, mostrando obras de factura original

y experimental. En 1980 obtuvo su pregrado en danza de Skidmore University Without Walls. A partir de una maestría en Estudios Interdisciplinarios en Arte y Psicología, cursada Naropa University (2001), se dedica a hacer intervenciones urbanas con grupos transitorios de artistas y talleres terapéuticos en los cuales las artes juegan un papel sanador. Actualmente trabaja en la investigación-creación de una instalación-performance llamada Umbral, en la edición de una novela
y en la presentación de sus materias en Género y Cultura y Teoría del
Arte de la Universidad del Norte. Ha publicado siete libros de poesía,
dos antologías poéticas y numerosos artículos académicos. Ejerce una crítica a la realidad de la cotidianidad de la ciudad y el país a través de sus columnas en El Heraldo.

Email: mgontovnik@uninorte.edu.co ORCID: 0000-0002-3889-1289

Citas

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Lansing: University of Michigan Press.</span></p> <p class="MsoFootnoteText" style="margin-left: 1.0cm; text-align: justify; text-justify: inter-ideograph; text-indent: -1.0cm;"><span style="font-family: &quot;Times New Roman&quot;; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; mso-ansi-language: EN-US; mso-bidi-font-weight: bold;" lang="EN-US">Williams, Claudette.<em> </em>(2000). <em>Charcoal and Cinnamon: The Politics of Color in Spanish Caribbean Literature</em>.</span><span style="font-family: &quot;Times New Roman&quot;; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; background: #F9F9F9; mso-ansi-language: EN-US;" lang="EN-US"> </span><span style="font-family: &quot;Times New Roman&quot;; mso-fareast-font-family: &quot;Times New Roman&quot;; mso-bidi-font-family: &quot;Times New Roman&quot;; background: #F9F9F9; mso-ansi-language: ES-CO;">Gainesville: UP of Florida.</span></p> <!--EndFragment-->

Publicado

2017-08-31

Cómo citar

Gontovnik Hobrecht, M. M. (2017). Performance como historia: Las negritas Puloy en el Carnaval de Barranquilla. Memorias, (32), 149–177. https://doi.org/10.14482/memor.32.10331

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Artículos de tema libre